A tech journalist specializing in gaming innovation and digital entertainment trends, with over a decade of industry experience.
Starting her career in films, June Lockhart, who passed on aged 100, achieved her greatest success after shifting predominantly to television. Having been offered limited opportunities to shine in films from her debut as a youngster in 1938 until 1947, she excelled on television in numerous beloved series, most notably in Lassie.
Taking over from another actress in 1958, Lockhart continued in the show until 1964. She played Ruth Martin, married to agriculturalist Paul Martin and the foster mother of seven-year-old Timmy Martin, whose collie was the eponymous star of the series.
Despite playing a housewife, Lockhart skillfully avoided being outshone by the smart dog. She described the program as “a fantasy about people on a farm in which the dog resolves all the issues in 22 minutes, in time for the last advertisement”. After she departed the series, Lockhart commented: “In six sexless years of playing a country spouse and parent, I was hardly ever permitted to peck my on-screen husband on the cheek.”
Lockhart went directly into another hit, Lost in Space (1965-68), a semi-spoof sci-fi series aimed mostly at young audiences and inspired by The Swiss Family Robinson. Lockhart and her co-star portrayed Maureen and John Robinson, two scientists exploring distant planets. Lockhart had to spend the majority of her time skillfully trying to survive special effects. As the series progressed, the storyline became increasingly less about this space family and increasingly about the boy and his bond with a mechanical being, and the timid villain Dr Zachary Smith.
Lockhart’s feature film first role, at the age of 13, had come as Belinda Cratchit in A Christmas Carol (1938). In the roles of her parents, Bob and Mrs Cratchit, were her actual parents, Gene and Kathleen Lockhart. As British-born Kathleen and Canadian-born Gene were both performers in many of films, as well as on stage, it was almost certain that June, who was born in New York, would join the entertainment industry.
Her first theatrical performance, at the tender age of six, came in a non-singing role in an musical production at the Metropolitan Opera in New York (1931).
When her parent was given a contract by a film studio, after his success on Broadway, she relocated with her parents to Hollywood, where Gene made around 300 films. After attending school in Beverly Hills, June started her career in movies, mostly in minor roles in acclaimed pictures such as Sergeant York (1941), The White Cliffs of Dover (1942) and Meet Me in St Louis (1944). In the latter, she is delightful as a New Yorker at a family party, whose schedule is arranged spitefully to stop Lockhart dancing with her sibling.
More importantly, although she did not know it at the time, was Son of Lassie (1945). It was one of several sequels to the hugely successful Lassie Come Home (1943), in which a young star had played the female character who helps the dog to escape to the family. In the later film, Lockhart played the now grown-up version.
The affectionate way in which she interacted with both Lassie and her son, Laddie, protagonist of a World War II story in Nazi-occupied Norway, was in the consideration of the creators when it came to selecting the Lassie TV series 13 years later.
Although she was offered leading roles in two suspense films, She-Wolf of London (1946) and Bury Me Dead (1947), Lockhart concluded her movie career was stagnating and that TV would be the answer. Before embarking in a different direction, she won praise on Broadway in For Love or Money (1947), a comedy for which she won a Tony award as best newcomer.
A further substantial run came with Petticoat Junction (1968-70), set in a country hotel, where Lockhart is a physician and mother figure. She also featured regularly in TV cowboy shows in the 50s, such as Have Gun Will Travel, Wagon Train, Gunsmoke, and Rawhide. Her hectic schedule persisted for the following five decades, with a regular role in General Hospital between 1984 and 1998. Among her many one-off appearances were as the actress in a 1988 episode of a talkshow, where the presenter finds a lost collie, and in another sitcom in 1995 as the parent of a restaurant manager.
Her final TV credit came in 2021 as the voice of Alpha Control in an episode of a digital platform’s new version of Lost in Space. In the movie version featuring well-known actors (1998), she had a holographic cameo as a school principal. She took pleasure in learning how much of an inspiration the first series had been to later astronauts, and often attended the agency’s launches and other events. In 2013 her work as a volunteer spokesperson brought her its Exceptional Public Achievement Medal.
Among her few subsequent feature films was the fantasy, Troll (1986) in which she portrayed a sorceress, with her own daughter, Anne Lockhart, playing her younger self.
In 1951 she married John Maloney, a doctor and former Navy medical officer. In addition to Anne, they had a second daughter, June. That union ended in separation, as did her subsequent marriage, to John Lindsay, an architect.
She is remembered by her daughters and four grandchildren.
June Lockhart, actor, born 25 June 1925; died 23 October 2025
A tech journalist specializing in gaming innovation and digital entertainment trends, with over a decade of industry experience.