A tech journalist specializing in gaming innovation and digital entertainment trends, with over a decade of industry experience.
Generally speaking, I've grown tired of zombie movies. Although classics like 28 Days Later and the early seasons of The Walking Dead proved enjoyable, this category seems largely exhausted at this point. Yet the highly anticipated 28 Years Later has been gathering dust on my to-watch queue for some time. But, the platform's latest Southeast Asian zombie flick, The Elixir, succeeded in defy my expectations and proved quite enjoyable.
One of this movie's strongest strengths lies in the excellent rhythm. It kicks off using a striking opening sequence where a calm family gathering gets suddenly disrupted by a vehicle plows right into the seating section. From the wreckage, a very undead-looking stranger emerges proceeding assaulting the partygoers. This dramatic scene is immediately followed by a flashback, allowing us to see the family prior to the disaster struck.
Unlike numerous zombie films, The Elixir actually allows the audience enough opportunity to become acquainted with the primary personalities before the chaos ensues. We meet Nes, a married mother whose ex close friend, Karina, is now married to her dad—an obviously uncomfortable dynamic. This has predictably caused a falling out between Nes and Karina. Then there's Nes' brother, Bang, described as good-natured but a bit inept socially, and who loves playing video games with Nes' young son, Raihan. Her spouse, Rudi, appears to have lately been unfaithful to her. The family patriarch consists of her dad, who runs a popular herbal remedy business named Wani Waras, and he seems to care about just two things: his business and his wife to his daughter's ex-best friend. Needless to say, this family reunion proves incredibly strained.
I became so invested with this family's dynamics and their interpersonal drama that I almost forgot this was a scary movie—which might sound like a negative, yet in the end worked well. The Elixir spends a considerable portion of the film depicting us who each relative is, plus the ways they contribute to the general turmoil. This focus on conflicting traits allowed the audience to connect with the characters enough to care about their fate—an uncommon feat for this style that often introduces individuals just to eliminate them soon after. The Elixir avoids portraying its characters as flat, expendable casualties for an army of zombies to devour, so it's a genuine surprise once events eventually go wrong.
The initial sequences from the gathering and various household exchanges actually evoke the movie Parasite, a story that masquerades as a K-Drama featuring slightly dark comedy prior to making an abrupt shift toward shocking territory. These early moments aren't centered too heavily on comedy as Parasite, yet The Elixir still gives enough opportunity to immerse in the setting before it gets turned upside down.
The film additionally presents a fairly intriguing explanation for the source of the spreading transformation. Rather than an accidental laboratory incident or a type of biological weapon, the cause of this infectious condition originates in a recent sample from Wani Waras herbal remedies created by Nes' father. While some background is provided something regarding how it started, it would have been better if the film had spent additional focus explaining how Wani Waras went from a reputable supplier of holistic medicine to creating a deadly potion which seems to contain an extremely infectious pathogen. Despite the lack of context, the impact this affliction has on humans is absolutely disgusting, and I appreciate. The Elixir's undead prove fast, bizarre in appearance, and, maybe most disturbingly, constantly grinning. This represents a daring decision, yet it succeeds. The Elixir's practical effects and CGI are also quite convincing, and they're practically guaranteed to provoke one's trypophobia.
More impressive than the gross-out moments is the cast themselves. Certainly, we see a few instances of dubious decision-making (as in typical zombie movie), however generally, Nes and her family show themselves inventive and quick-thinking. Additionally, they don't hesitate to kick an undead in the head, stab it using a farm tool, or beat it over the head with the nearest heavy object is available instead of standing still like prey caught in lights while danger nears.
The Elixir doesn't drop its themes of familial discord when people begin transforming into zombies, which was a welcome authentic subversion from that "We don't get along|"We have issues, but since you nearly died so I instantly pardon you for everything! trope often seen in end-of-world films. Obviously, Nes cares for her family and values her spouse, Rudi, yet it's equally apparent she remains holding onto resentment regarding his infidelity in their relationship. When the family becomes split up, they decide via telephone to regroup at a close spot. However, once Bang reveals he is unaware how to get there, Nes expresses a massive level of irritation on her brother that's clearly been brewing for years. Nes is not perfect, and her relatives—flawed as it is—seem realistic and understandable because the film avoids attempting to push the notion that nearly dying immediately resolves family tensions. This causes those instances when these characters do show gratitude for each other feel far more genuine.
In spite of The Elixir's best attempts to innovate, the ending is admittedly a bit stereotypical. The Elixir isn't really presenting any deep insight regarding relatives or society, as well. Instead, it's mostly serving up scares. But they're effective frights, and because the movie gives each character sufficient space to develop and avoids penalizing them for their imperfections, the result proves a captivating and entertaining
A tech journalist specializing in gaming innovation and digital entertainment trends, with over a decade of industry experience.